Breath

Photographs of smokers on the internet • Archival inkjet prints mounted on aluminum • 15″ by 20″ editions of five • 22.5″ by 30″ editions of three •

Statement

The photographs in the series Breath are taken off a computer’s screen showing video stills of men smoking. The men recorded themselves and posted the videos in an internet forum. I selected ten video stills — from clips recorded by different men at different times in different locations — and arranged them into a single slow, voluminous exhale. That way, Breath seeks to visually restore a sense of connectedness and community that existed, for a time, amongst members of that internet forum.

As for my previous series Candy or Bust, each image in Breath is filtered through two digital cameras. A smoker’s webcam captures the original, continuous stream of images with some amount of coarse pixelation and color distortion. After selecting a single frame and retouching it, I recapture that image with a high-resolution camera. Hence, the final image reproduces not only the likeness of the man exhaling smoke but also the pixel grid of the computer screen displaying that image.

This process of re-photographing is as crucial to Breath as it was to Candy or Bust. For one, the interplay of coarse and fine pixelation forms a pattern across all images that has a beauty of its own. That may just entice viewers to linger with the smokers and notice their own breathing, out, in, out, in, out, in. Yet that same interplay is not unfamiliar, also appearing in footage from video surveillance or remote-controlled weapons. It may just remind viewers of their own intrusion into what also are somewhat private, vaguely sexual moments — with the discomfort then pushing them away.

Because of the COVID pandemic, these simultaneously connective and intrusive qualities of digital video seem all too familiar to most of us by now. But Breath predates those events by several years. Notably, I started collecting the source material in 2012 and finished with selecting and retouching the images in late 2013. Due to technical difficulties while re-photographing the images, I put the project on hold until early 2019 — when I completed the series.